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Daniel Libeskind: The Space of Encounter

Daniel Libeskind: The Space of Encounter

Indeks: Daniel Libeskind: The Space of E

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Since leaving a career in classical music to focus solely on architecture in 1979, Libeskind's highly unconventional approach to design has riveted the interest of architects and designers around the world. Perhaps the leading architectural theoretician of our time, Libeskind is now receiving numerous commissions for new buildings, including the Jewish Museum in San Francisco. The Victoria and Albert extension in London, and the Felix Nussbaum Museum in Germany. His work has been the subject of more than 140 exhibitions and he travels and lectures constantly. This book on Libeskind's extraordinary work-eschews, in true Libeskind fashion, ,the traditional monograph format.

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In the (anti-)tradition of Rem Koolhaas's and Bruce Mau's S,M,L,XL, this volume is less a photographic tour through the edifices of maverick architect Daniel Libeskind than a fractured, sometimes frustrating and always compelling spin through a giant edifice of ideas. Though he has been a been a leading architectural professor and theoretician for some 20 years (Philip Johnson calls him "Quirky, maddening, but brilliant..."), Libeskind only showed up on the international radar as a practitioner a few years ago when his jarring, norm-busting Jewish Museum Berlin earned him a Pritzker nomination--and such high-profile new commissions as the Imperial War Museum in Manchester, England; the Jewish Museum San Francisco (JMSF); an extension to the Denver Art Museum; and, most sensationally, an addition to London's beloved Victoria and Albert Museum. This last is a giant tiled geometric phenomenon that spirals right up out of the sober nineteenth-century pile's courtyard into the sky. Nicknamed just that--"The Spiral"--it elicited a public furor in which no one in the monument-fetishizing U.K. hasn't had an opinion. All told, though, Libeskind hasn't had that many commissions, and most of them weren't even completed at the time of the book's production--which perhaps accounts for why this nouveau monograph is really about seventy-five percent text, all of it set in various funky juxtaposed types and comprising a vast selection of Libeskind's speeches, lectures, interviews, project texts, and the like. (Libeskind has also attained considerable recognition for his quasi-experimental architectural models and illustrations, many of which are featured here.) Much of this text (almost all of which, save a few Dadaist forays, is vastly more linear and transparent than Libeskind's fascinating, challenging postindustrial architecture) pertains to his built or in-progress work, photographs or drawings of which are also included here--though never keyed to the same page as the text in which they are discussed. If that seems annoying, it sometimes is--though it's rather clear that Libeskind and the book's editor and designer did it intentionally to disrupt the conventional way we consume an architectural monograph, flipping through from A to Z, oohing and aahing over the color-soaked pictures, and grazing over their pert corresponding captions.

Daniel Libeskind: The Space of E

Opis

Autor
Daniel Libeskind
Wydawnictwo
Universe
Oprawa
Miękka
Liczba stron
224
Wymiary
22x22x2
Język
angielski
Rok wydania
2001
Isbn
978-0789304964

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