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  • Autor: Bart Goldhoorn
  • Autor: Ken Yeang
PROJECT RUSSIA 20
  • Niedostępny

PROJECT RUSSIA 20

57,75 zł Cena

Dostępność: na zamówienie Svobodnaya planirovka - 'free floor plans' is the term used in adverisements for flats being offered for sale in Moscow's elite apartment buildings. Literally all flats for the rich in Moscow are currently sold without interior walls - 'shell-and-core', just as offices. The only remaining difference between an office building and an apartment building is the presence of balconies or glazed veranda's and multiple stand pipes that enable a variety of interior solutions. This phenomenon is radically transforming the practice of housing design.

Project Russia 32: Housing the Elite
  • Niedostępny

Project Russia 32: Housing...

76,65 zł Cena

Dostępność: na zamówienie Around half a year ago, a map was published in the Kommersant daily's real estate supplement that showed the location and price per square meter of elite housing projects in central Moscow. The highest prices were in the Ostozhenka district, and two Project Meganom architecture studio projects were specifically mentioned. $10,000 per square meter - a price comparable to London's Chelsea or Paris XVI Arrondisement districts. Moscow's elite apartment projects are quite modest compared with their foreign counterparts. True, they are well designed - their architecture is actually more up-to-date than exclusive projects in the West.

Ken Yeang Eco Skyscrapers
  • Niedostępny

Ken Yeang Eco Skyscrapers

201,60 zł Cena

Dostępność: na zamówienie For many, eco skyscrapers are synonymous with Ken Yeang. In more than three decades of practice, Ken Yeang has almost single-handedly pioneered and developed this building genre. This book presents Ken Yeang's work on the design of ecologically responsive skyscrapers, and includes his essay on applying green-design principles to the skyscraper typology, as well as a preface by Steve Featherstone, an introduction by David Scott (Chairman of The Council on Tall Buildings and Urban Habitat) and a critique by Professor Ivor Richards.