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Norman Foster Works 5
Winner of the Pritzker Prize and the Praemium Imperiale, Norman Foster is one of the most innovative and forward-thinking architects at work today. This volume features approximately 1,400 plans, sketches, and photographs of some of Foster""s most renowned and celebrated international projects, including Chek Lap Kok Airport in Hong Kong, Expo Station in Singapore, the Valencia Congress Centre, The SageGateshead, the Millau Viaduct in France, and the Swiss Re tower in London, along with numerous other outstanding works. Also included here are examples of Foster""s striking product designs and furniture.
Norman Foster Works 6
Winner of the Pritzker Prize and the Praemium Imperiale, Norman Foster is one of the most innovative and forwardthinking architects at work today. This volume features more than 1,000 plans, sketches, and photographs of some of Foster's most renowned projects, including London's new Wembley Stadium, Germany's Dresden Station, and Beijing's new international airport. These and other important structures, along with lighting systems, furniture collections, and memorials, reveal the enormous range of Foster + Partners' work. In addition to offering insights into individual projects, this volume contextualizes Foster's work, identifying themes and connections, discussing influences and inspirations, and invoking a host of historical, cultural, and architectural references.
Beckmann
Max Beckmann (1884-1950) found his central theme in the loneliness of the twentieth century man, threatened by catastrophe and torn between materialism and freedom of mind and spirit. His early pictures showed the influence of Impressionism, with a preponderance of biblical, historical, and allegorical themes. World War I made a deep impression on him: somewhere between Expressionism and Neue Sachlichkeit (New Objectivity), the succinct forms and hard contours in his memorable paintings and graphic works showed man at the limit of physical and mental endurance. Later, the harshness and severity of his style softened and his colors became more radiant, but the monumentality remained.