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Die Architekten (The...
Dostępność: na zamówienie Some of the most telling moments of this film, a somber, finely-drawn portrait of life in East Berlin in the final days of the Communist regime, are long panning shots of the city's ugly, factory-like public housing. Shot from moving cars, these views of block after block of anonymous rectangular buildings evoke a joyless environment in which the imagination is systematically stifled and where people live in a state of chronic, low-grade depression. The film depicts this society's grinding down of Daniel Brenner (Kurt Naumann), an idealistic architect in his late thirties.
Daniel Libeskind: The Space...
Since leaving a career in classical music to focus solely on architecture in 1979, Libeskind's highly unconventional approach to design has riveted the interest of architects and designers around the world. Perhaps the leading architectural theoretician of our time, Libeskind is now receiving numerous commissions for new buildings, including the Jewish Museum in San Francisco. The Victoria and Albert extension in London, and the Felix Nussbaum Museum in Germany. His work has been the subject of more than 140 exhibitions and he travels and lectures constantly. This book on Libeskind's extraordinary work-eschews, in true Libeskind fashion, ,the traditional monograph format.