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Dostępność: pozycja na zamówienie Kompendium 1000 najsłynniejszych lamp w historii designu. Jego autorzy, Charlotte i Peter Fiell, para brytyjskich historyków sztuki i znawców wzornictwa, podobnie jak w głośnym już swym opracowaniu „1000 krzeseł” („1000 Chairs”; wyd. Taschen) uszeregowali chronologicznie najgłośniejsze zabytki oświetlenia, począwszy od pierwszej w historii lampy – elektrycznej żarówki Edissona.

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1000 Chairs

78,65 zł

Chairs displayed on their own as pure form An overview of the 20th century More than any other piece of furniture, the chair has been subjected to the wildest dreams of the designers. The particular curve of a backrest, or the twist of a leg, the angle of a seat or the color of the entire artifact all reflect the stylistic consciousness of each era. From Gerrit Rietveld and Alvar Aalto to Verner Panton to Eva Zeisel, from Art Nouveau to International Style, from Pop Art to Postmodernism, the phenomenon of the chair is so complex that it requires a reference work as comprehensive as this to do it full justice. They are all here: Thonet’s bentwood chairs and Hoffmann’s sitting-machines, Marcel Breuer’s Wassily chair and Ron Arad’s avant-garde armchairs.

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Modern Movements in...

84,00 zł

Although this is not a new book, it is still one of the best introductions to modern architecture available on the market. Infinitely accessible and informative, Charles Jencks is sensible and bodacious in his far-ranging discussions of the architecture of this century. This small paperback, which includes 236 illustrations, is invaluable in its assessment of the history of modern architecture and its frank criticism of the architects of our time, as well as its speculations, predictions, and guidelines for the future of the discipline. This edition includes a special postscript on Late-Modernism and Post-Modernism.

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Iconic Building

36,75 zł

Charles Jencks, the leading architectural critic and writer, takes on "trendiness" in architecture: namely the rise of the "iconic building," instantly famous and distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure.

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The New Paradigm in Architecture: The Language of Postmodernism

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The New Paradigm in...

120,75 zł

he book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design--more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.

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