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  • Autor: Peter Zumthor
  • Autor: R. Klanten
Atmospheres - Architectural Environments - Surrounding Objects - Pether Zumthor
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Szybki podgląd

Atmospheres - Architectural...

132,30 zł Cena

Dostępność: na zamówienie What "really constitutes an architectural atmosphere, Peter Zumthor says, is "this singular density and mood, this feeling of presence, well-being, harmony, beauty ... under whose spell I experience what I otherwise would not experience in precisely this way. Zumthor s passion is the creation of buildings that produce this kind of effect, but how can one actually set out to achieve it?

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Impressive
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Impressive

201,60 zł Cena
Dostępność: na zamówienie Inspired by the challenge of hands-on tweaks and unpredictable results as well as the tactile qualities of different inks, papers, and binding techniques, today’s creatives are rediscovering old-fashioned printing methods and crafts. Impressive is a topical exploration of the interplay between current trends in graphic design and traditional handiwork such as letterpress printing, hand-cut linotype, chiselled woodblocks, and embossing. In addition to a rich selection of invitations, business cards, stationery, posters, and other material printed by hand, it offers personal insights from designers who are using old-fashioned techniques to create cutting-edge work.
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Thinking Architecture
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Thinking Architecture

108,15 zł Cena

In order to design a building with a sensuous connection to life, one must think in a way that goes far beyond form and construction. In these essays Peter Zumthor expresses his motivation in designing buildings, which speak to our emotions and understanding in so many ways, and possess a powerful and unmistakable presence and personality.

This book, whose first edition has been out of print for years, has been expanded to include three new essays: "Does Beauty Have a Form?, "The Magic of the Real, and "Light in the Landscape. It has been freshly illustrated throughout with new color photographs of Zumthor s new home and studio in Haldenstein, taken specially for this edition by Laura Padgett, and received a new typography by Hannele Granlund.

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