Brak wydarzeń
Dostępność: na zamówienie Monographs on the subject of architects who are still in good health are commonly regarded as the equivalent of monuments to people who are still alive - they supposedly put their subjects on a divine pedestal and stamp their buildings and designs with the mark of 'eternity'. Brodsky's Oblako ('Cloud') Bar and Ice Pavilion no longer exist, and yet you'll find them in the journal you're now holding, and this gives them a kind of 'immortal' glory. However, periodicals such as our own cannot afford to sacrifice immediate relevance to current issues to a memorializing impulse. In the present case this immediate relevance is not simply a matter of the fact that Brodsky has been chosen to represent Russia with a one-man show at this year's Venice Bien-nale.
Combining good taste and audacity is a subtle art that interior designer Jacques Grange has perfected for over four decades. As a young man working for design legends Henri Samuel and then Didier Aaron, his talent was soon recognized by the likes of the Rothschilds, Madeleine Castaing, and the Vicomtesse de Noailles. Unlike many of his contemporaries, Grange is known for being able to disappear behind his designs; he believes an interior décor should serve as a "self-portrait" of the occupant and not the designer.
