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JAPANESE GARDENS
The Japanese garden, like all gardens, is more than mere nature; it is nature crafted by man. It needs the hands of the designer to give it meaning. The Japanese garden belongs to the realm of architecture; at its best, it is nature as art. The phases of its history document the constant redefinition of man's position within and towards nature. Its changing forms respond both to socio-economic developments and to religious and philosophical trends, and thereby reflect the spiritual climate in which its architecture was conceived.
PATH OF MODERNISM...
An unusual journey between Breslau and Dessau, from the World Cultural Heritage of the Centennial Hall (1913) to the World Cultural Heritage of Bauhaus dating from the twenties: and there are many highpoints of modern architecture in-between—in Görlitz, Dresden-Hellerau, Leipzig or Chemnitz, for example. Almost all the great modernist architects ar gathered together here, from Hans Poelzig and Henry van de Velde to Heinrich Tessenow, Richard Riemerschmid, Hans Scharoun, Erich Mendelsohn and even Walter Gropius. But the focus is also on the cities themselves; at a very early date, their progressive building councillors thought hard about European urban development—about buildings ranging from striking tower blocks to top-quality mass housing.