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  • Autor: Bart Goldhoorn, Alexei Muratov
  • Autor: Sanchez Vidiella Alex
Sourcebook of Contemporary Architecture: Księgarnia Sztuka Architektury
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Sourcebook of Contemporary...

77,70 zł Cena
This abridged paperback edition of "The Sourcebook of Contemporary Architecture" presents more than 60 noteworthy case studies in a portable format, showcasing a complete and diverse range of structures worldwide. Incorporating every type of architectural project possible - private, commercial and public - this lushly illustrated, information-rich book is an invaluable resource that architects and architectural students will turn to again and again. This book features the work of world-renowned architects such as Gehry Partners, Ateliers Jean Nouvel, Santiago Calatrava, Daniele Claudio Taddei, and Philippe Starck.
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Prefab Houses: Księgarnia Sztuka Architektury
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Prefab Houses

92,40 zł Cena
Taking inspiration from art, sculpture, Chicago prairies and folk architecture such as tree houses, Dan Pearson--acclaimed garden designer and "green-fingered guru" at the U.K. newspaper -lays out his design philosophy and working process, giving readers direct insight into his collaborative approach of working with nature, instead of imposing preconceptions upon it. Journeying from New Zealand to Japan via Thames-side barge gardens, Pearson focuses on the spirit of place as it emerges through geography, history, architecture and native flora, extrapolating this sense of place into a new gardening philosophy. Very far from conventional gardening books,
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PROJECT RUSSIA 39 BODY
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PROJECT RUSSIA 39 BODY

89,25 zł Cena
Dostępność: na zamówienie The most recent architectural projects from Kaliningrad to Vladivostok in a 160-page quarterly magazine from Moscow. Presented in a distinctive, fresh layout, designed by the Russian star designer Jewgeni Kornejew.
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PROJECT RUSSIA 41 Alexander Brodsky
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PROJECT RUSSIA 41 Alexander...

89,25 zł Cena

Dostępność: na zamówienie Monographs on the subject of architects who are still in good health are commonly regarded as the equivalent of monuments to people who are still alive - they supposedly put their subjects on a divine pedestal and stamp their buildings and designs with the mark of 'eternity'. Brodsky's Oblako ('Cloud') Bar and Ice Pavilion no longer exist, and yet you'll find them in the journal you're now holding, and this gives them a kind of 'immortal' glory. However, periodicals such as our own cannot afford to sacrifice immediate relevance to current issues to a memorializing impulse. In the present case this immediate relevance is not simply a matter of the fact that Brodsky has been chosen to represent Russia with a one-man show at this year's Venice Bien-nale.

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