Brak wydarzeń
Dostępność: na zamówienie Monographs on the subject of architects who are still in good health are commonly regarded as the equivalent of monuments to people who are still alive - they supposedly put their subjects on a divine pedestal and stamp their buildings and designs with the mark of 'eternity'. Brodsky's Oblako ('Cloud') Bar and Ice Pavilion no longer exist, and yet you'll find them in the journal you're now holding, and this gives them a kind of 'immortal' glory. However, periodicals such as our own cannot afford to sacrifice immediate relevance to current issues to a memorializing impulse. In the present case this immediate relevance is not simply a matter of the fact that Brodsky has been chosen to represent Russia with a one-man show at this year's Venice Bien-nale.
Atmospheric photography and informed text are used to trace the wide variety of gardens, which have been created throughout European art history. Gardens are idyllic refuges where we can find tranquillity, recuperation and enjoyment. The cultural history of gardens is closely bound up with man's hopes and longings. According to most of the world's creation stories, the human race began in an en-closed garden with trees, blossoms, fruits and clear springs. This passion for shaping the abundance of nature runs throughout history from the legendary Hanging Gardens of Babylon to the rich tradition of European garden design.
