Brak wydarzeń
Dostępność: na zamówienie Monographs on the subject of architects who are still in good health are commonly regarded as the equivalent of monuments to people who are still alive - they supposedly put their subjects on a divine pedestal and stamp their buildings and designs with the mark of 'eternity'. Brodsky's Oblako ('Cloud') Bar and Ice Pavilion no longer exist, and yet you'll find them in the journal you're now holding, and this gives them a kind of 'immortal' glory. However, periodicals such as our own cannot afford to sacrifice immediate relevance to current issues to a memorializing impulse. In the present case this immediate relevance is not simply a matter of the fact that Brodsky has been chosen to represent Russia with a one-man show at this year's Venice Bien-nale.
In 1930, when Albert Frey (1903-1998) came to the US from his native Switzerland, he brought the influence of his mentor, Le Corbusier, with him. The innovative Aluminaire House that he developed together with A. L. Kocher was exhibited in 1932 by Henry-Russell Hitchcock and Philip Johnson in the legendary show in the Museum of Modern Art in New York “The International Style: Architecture since 1922” as one of the very few American examples of the movement.
