Brak wydarzeń
Piranesi's fantastic worlds The great 18th century architectural artist and master engraver "Piranesi was as savage as Salvator Rosa, fierce as Michelangelo, and exuberant as Rubens… he has imagined scenes that would startle geometry and exhaust the Indies to realize."
Dostępność: na zamówienie Essays by Germano Celant and Herzog & de Meuron. Introductions by Miuccia Prada and Patrizio Bertelli. Published by Fondazione Prada In the Aoyama district of Tokyo, a mixed-use neighborhood of low-rise buildings where not a square meter of land has been left unoccupied, the Swiss architecture team of Herzog & de Meuron has built a new store for Prada. In this chunky, silvery book, they meticulously illustrate the creative process that led to the realization of “a house and a plaza,” a tall and narrow kaleidoscope-like structure that houses a two-story retail space and multiple levels of offices, backed by an outdoor space for the public--a rarity in crowded Tokyo.
Płynna nowoczesność Szósta edycja Architecture Now! przedstawiająca budynki ułożone wg rozmiarów - od niewielkiego Teahouse Tetsu autorstwa Terunobu Fujimori (6.07 m2), do gigantycznego projektu Normana Fostera Crystal Island w Moskwie (1.1 mln m2) - daje spojrzenie na to, co obecnie dzieje się w architekturze. Jaki jest duch tego ruchu i jak architektura odzwierciedla rzeczywistość pierwszej dekady 21 wieku? Architecture Now! 6 jest doskonałym źródłem wiedzy o tym, co się dzieje obecnie i o tym, co jeszcze przed nami. Ilustrowany, alfabetyczny układ haseł zawiera obecne i niedawne projekty, biografie, informacje kontaktowe oraz adresy stron internetowych.
Each age must create its own architecture out of its own technology and one which is expressive of its own Zeitgeist - the spirit of the time." — Eero Saarinen Eero Saarinen (1910-1961) was one of the 20th century's great visionaries, both in the fields of furniture design (he created the ubiquitous Knoll "Tulip" chairs and tables, for example) and in architecture. Among his greatest accomplishments are monuments that shaped architecture in postwar America and became icons in themselves: Washington D.C.'s Dulles International Airport, the very sculptural and fluid TWA terminal at JFK Airport in New York, and the 630 ft (192m) high Gateway Arch of St. Louis, Missouri. Marrying curves and dynamic forms with a Modernist aesthetic, he brought a whole new dimension to architecture.
Carlo Scarpa (1906–1978) was never fully appreciated during his lifetime. Instead, his work was dismissed as being "just" art, and only after his death did people begin to understand the exceptional quality of his oeuvre. This book shows the development of his individual architectural language by linking aspects of the arts with architecture.
Outsider Modernizmu - Hans Scharoun German architect Hans Scharoun (1893-1972) studied and practiced architecture his entire adult life but did not build a major building until 1963 when his impressive Berlin Philharmonie finally came to life. The fact that he stayed in Germany during the Second World War prevented him from realizing grandiose projects and caused him to concentrate more on interiors than exteriors for many years. Nevertheless, Scharoun’s sculptural designs, influenced by the expressionist-utopian circle “Gläserne Kette” of which he was a member, did not go unnoticed and were among the best of his generation.
