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  • Wydawnictwo: LAURENCE KING
  • Wydawnictwo: SKIRA
Materials for Architectural Design
  • Niedostępny

Materials for Architectural...

177,45 zł Cena

Dostępność: na zamówienie In architectural education the study of materials and the study of design are often treated as separate areas of discourse, when in reality the two are utterly intertwined. The choice of construction materials affects the look and feel of built form, while inspired design sense injects life into a building’s ingredients. This book is aimed at students of architecture and young practising architects.

Key Houses of the Twentieth Century
  • Niedostępny

Key Houses of the Twentieth...

156,45 zł Cena

Dostępność: na zamówienie Featuring over 100 of the most significant and influential houses of the twentieth century, this book includes classic works by such seminal architects as Le Corbusier, Frank Lloyd Wright, Mies van der Rohe and Alvar Aalto, as well as those by more recent masters, such as Tadao Ando, Rem Koolhaas and Glen Murcutt. For each of the houses included there are numerous, accurate scale plans showing each floor, together with elevations, sections and site plans where appropriate. All of these have been specially drawn for this book and are based on the most upto-date information and sources.

Skira Yearbook of World Architecture 2007-2008
  • Niedostępny

Skira Yearbook of World...

236,25 zł Cena

Dostępność: na zamówienie Skira presents the first-ever architecture yearbook to take stock of global architecture. Although there are several national yearbooks, such as the Dutch Yearbook, Riba Yearbook, and German Yearbook, there are no publications on the international market that take this global approach. The Skira Architecture Yearbook features over one hundred of the most interesting projects built or designed during the past year.

JEAN TSCHUMI:ARCHITECTURE AT FULL SCALE
  • Niedostępny

JEAN TSCHUMI:ARCHITECTURE...

288,75 zł Cena
Jean Tschumi: Architecture at Full Scale is the first book on the Swiss architect who, after his training at the École des Beaux-Arts in Paris, entered the polemical field of modernity and its technological expression. Interrupted by his tragic death in 1962 at the age of 57, Tschumi’s work is rich in theoretical questions. What is the meaning of design at full scale, not just for carpets, tables, or armchairs? Why does the architect study his compositions at the minimal scale of a "postage stamp"? Is furniture the starting point of architecture? Why should the project be studied through the systematical use of variants? Does the future of the city lie in the planning of deep underground systems?