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  • Wydawnictwo: Jovis
  • Wydawnictwo: SKIRA
The Path of Modernism Architecture 1900-1930
  • Niedostępny

The Path of Modernism...

110,25 zł Cena

"The Path of Modernism" takes the reader on an unusual journey in modern architecture, between Breslau and Dessau, from the World Cultural Heritage of the Centennial Hall (1913) to that of 1920s Bauhaus. It stops at Gorlitz, Dresden-Hellerau, Leipzig and Chemnitz along the way, discussing the history of the architecture and the process of their development. Many of the great modernist architects are gathered together here, from Hans Poelzig and Henry van de Velde to Heinrich Tessenow, Richard Riemerschmid, Hans Scharoun, Erich Mendelsohn and even Walter Gropius.

M8 in China
  • Niedostępny

M8 in China

131,25 zł Cena

"M8 in China" shows a surprising range of work by contemporary Chinese architects. This publication presents eight private, flexibly operating offices of a completely new generation, whose works reveal some fascinating connections between tradition and the western avant garde. Almost all the designs are characterised by great sensitivity towards regional and historical references, while simultaneously integrating traditional techniques of craftsmanship and modern know-how.

Skira Yearbook of World Architecture 2007-2008
  • Niedostępny

Skira Yearbook of World...

236,25 zł Cena

Dostępność: na zamówienie Skira presents the first-ever architecture yearbook to take stock of global architecture. Although there are several national yearbooks, such as the Dutch Yearbook, Riba Yearbook, and German Yearbook, there are no publications on the international market that take this global approach. The Skira Architecture Yearbook features over one hundred of the most interesting projects built or designed during the past year.

JEAN TSCHUMI:ARCHITECTURE AT FULL SCALE
  • Niedostępny

JEAN TSCHUMI:ARCHITECTURE...

288,75 zł Cena
Jean Tschumi: Architecture at Full Scale is the first book on the Swiss architect who, after his training at the École des Beaux-Arts in Paris, entered the polemical field of modernity and its technological expression. Interrupted by his tragic death in 1962 at the age of 57, Tschumi’s work is rich in theoretical questions. What is the meaning of design at full scale, not just for carpets, tables, or armchairs? Why does the architect study his compositions at the minimal scale of a "postage stamp"? Is furniture the starting point of architecture? Why should the project be studied through the systematical use of variants? Does the future of the city lie in the planning of deep underground systems?