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Mies and Modern Living...
210,00 zł
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Dostępność: na zamówienie In 1929 Barcelona was host to the World Arts Fair, an international architecture and design exposition attended by members of the Spanish royalty and many senior European government officials. It was an occasion for cultural grandstanding, an opportunity for countries to parade their native talent. So when the German government approached Ludwig Mies van der Rohe (1886-1969) to design a pavilion, he was left in no doubt as to their expectations--and he met them, erecting an ultra-modern creation in glass, steel and four types of marble.
Australian Architecture...
138,60 zł
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Dostępność: na zamówienie In Australia, many aspects of architectural Modernism have been transformed, interpreted, used, reformed and converted to that country's very particular geographic qualities, perhaps to a greater degree than in most other countries. Much Australian Modernist architecture is characterized by the pervasive presence of strong light, and by ranging structures that spread out across the terrain, avoiding any hierarchical organization of component parts in ways that would be impractical and inappropriate elsewhere.
Skira Yearbook of World...
236,25 zł
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Dostępność: na zamówienie Skira presents the first-ever architecture yearbook to take stock of global architecture. Although there are several national yearbooks, such as the Dutch Yearbook, Riba Yearbook, and German Yearbook, there are no publications on the international market that take this global approach. The Skira Architecture Yearbook features over one hundred of the most interesting projects built or designed during the past year.
JEAN TSCHUMI:ARCHITECTURE...
288,75 zł
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Jean Tschumi: Architecture at Full Scale is the first book on the Swiss architect who, after his training at the École des Beaux-Arts in Paris, entered the polemical field of modernity and its technological expression. Interrupted by his tragic death in 1962 at the age of 57, Tschumi’s work is rich in theoretical questions. What is the meaning of design at full scale, not just for carpets, tables, or armchairs? Why does the architect study his compositions at the minimal scale of a "postage stamp"? Is furniture the starting point of architecture? Why should the project be studied through the systematical use of variants? Does the future of the city lie in the planning of deep underground systems?