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Academic discourse are the words that immediately come to mind when reading this work. Forty (history of architecture, Bartlett Sch. of Architecture, UK) is keenly interested in the relationship between architecture and language as complex social practices.
Explore the building blocks of modern architecture— from first idea to finished building. The Fundamentals of Architecture, like the other books in the successful "Fundamentals "series, gives a comprehensive introduction to the basics of its subject— the building-block ideas behind architecture, interior design, and the graphic language of planning space.
A wealth of information on materials and technologies contained in a single volume A catalogue of 150 materials Processes illustrated through informative drawings Expert authors: Quentin Hirsinger and Elodie Ternaux, the directors of matériO/Paris; and design teacher Daniel Kula, a specialist in materials and technologies An extension of the top-selling Material World volumes Materiology is a book intended for all creative professionals – architects, designers, stylists, artists and the like – who rely on materials and technologies, a target group that ranges from students to experienced professionals. Widely accessible, Materiology is written in a style that conveys a wealth of information on materials and technologies in a language that’s easy to understand.
Dostępność:na zamowienie Acoustics and protection against noise do not perhaps number among the primary parameters that normally influence the design of a building. Nevertheless, at the very latest when the lecturer in the seminar room cannot be heard, when the noise level in an open-plan office reaches unbearable levels, or when a neighbor’s noise deprives you of sleep, it becomes clear just how essential acoustic can be to everyday well-being. it is not just concert halls or the amphitheaters of antiquity that call for acoustic quality; rather, every building, indeed every room, has an acoustic dimension that changes according to the nature of its particular requirements
Charles Jencks, the leading architectural critic and writer, takes on "trendiness" in architecture: namely the rise of the "iconic building," instantly famous and distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure.
Focusing on the creative and inventive significance of drawing for architecture, Drawings highlights the work of key contemporary figures who have, through their drawn work, affected the course of architectural thinking. Bringing this together is a chapter-by-chapter series of essays that broadly charts the forward movement and expansion of drawing iconography, techniques and methodologies. Thus it will move from such conditions as Victorian romanticism; Modernist heroics, Minimalism, Diagrams, the representation (and inspiration) of movement, technology and motive power; through to notions and examples of digital automatism.
Since autumn 1996 the architectural debate in London has been noticeably accelerated by the sequence of lectures made possible by the generosity of Frank Lowe and the Lowe Group. It is the 96–99 Lowe Lecture diversity and vigour that marks them out from the usual series. London is an ideal place to absorb and respond to the continual waves of invention, questioning and inspiration offered by the architect concerned. The Bartlett School is now a recognised centre for experiment and analysis which provides a lively background for The Lowe Lectures and this book attempts to capture the ′hothouse′ feel of the lectures themselves.
