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Wybór pięciu esejów autorstwa Tima Ingolda zaproponowany przez Ewę Klekot.
Teksty wskazują jak relacji człowieka wobec świata realizuje się poprzez zaangażowanie w tworzenie materialnej przestrzeni zamieszkania.
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Teksty wskazują jak relacji człowieka wobec świata realizuje się poprzez zaangażowanie w tworzenie materialnej przestrzeni zamieszkania.
A wealth of information on materials and technologies contained in a single volume A catalogue of 150 materials Processes illustrated through informative drawings Expert authors: Quentin Hirsinger and Elodie Ternaux, the directors of matériO/Paris; and design teacher Daniel Kula, a specialist in materials and technologies An extension of the top-selling Material World volumes Materiology is a book intended for all creative professionals – architects, designers, stylists, artists and the like – who rely on materials and technologies, a target group that ranges from students to experienced professionals. Widely accessible, Materiology is written in a style that conveys a wealth of information on materials and technologies in a language that’s easy to understand.
Dostępność:na zamowienie Acoustics and protection against noise do not perhaps number among the primary parameters that normally influence the design of a building. Nevertheless, at the very latest when the lecturer in the seminar room cannot be heard, when the noise level in an open-plan office reaches unbearable levels, or when a neighbor’s noise deprives you of sleep, it becomes clear just how essential acoustic can be to everyday well-being. it is not just concert halls or the amphitheaters of antiquity that call for acoustic quality; rather, every building, indeed every room, has an acoustic dimension that changes according to the nature of its particular requirements
Charles Jencks, the leading architectural critic and writer, takes on "trendiness" in architecture: namely the rise of the "iconic building," instantly famous and distinctively recognizable structures like Norman Foster's "Gherkin" in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure.
he book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design--more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.