Brak wydarzeń
In the period from 1890 to 1940, landscape architects organized as a profession distinct from art and architecture, bringing to the fore a variety of theories and aspirations—to influence urban growth, reinforce national identity, and shape land conservation and land-use planning, among other goals—in response to challenges posed by rapid change.
Dostępność: na zamówienie Some of the most telling moments of this film, a somber, finely-drawn portrait of life in East Berlin in the final days of the Communist regime, are long panning shots of the city's ugly, factory-like public housing. Shot from moving cars, these views of block after block of anonymous rectangular buildings evoke a joyless environment in which the imagination is systematically stifled and where people live in a state of chronic, low-grade depression. The film depicts this society's grinding down of Daniel Brenner (Kurt Naumann), an idealistic architect in his late thirties.
