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Die Architekten (The...
Dostępność: na zamówienie Some of the most telling moments of this film, a somber, finely-drawn portrait of life in East Berlin in the final days of the Communist regime, are long panning shots of the city's ugly, factory-like public housing. Shot from moving cars, these views of block after block of anonymous rectangular buildings evoke a joyless environment in which the imagination is systematically stifled and where people live in a state of chronic, low-grade depression. The film depicts this society's grinding down of Daniel Brenner (Kurt Naumann), an idealistic architect in his late thirties.
Sixties
Dostępność: na zamówienie Design in the 1960s represented energy and fun: it was dynamic, cheap and cheerful and it prompted a consumer 'youthquake' revolution. Op Art fabrics, plastic chairs, inflatable houses, mini skirts, paper furniture, pop glass and psychedelic posters were all part of the design phenomenon. When Mary Quant launched 'the look' with her range of ready-to-wear fashions in the early 1960s, its style, like the Habitat interior look launched shortly afterwards, was immediately appropriated by the trendy younger generation.