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  • 16,00 zł - 89,00 zł

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Aktywne filtry

  • Autor: Jacques Tati
  • Autor: Peter Kahane
Playtime
  • Niedostępny

Playtime

37,80 zł Cena

Dostępność: na zamówienie There's never been, and never will be, another comedy like Playtime. Three years in the making, French comedy master Jacques Tati's 1967 classic was an epic, experimental undertaking of unprecedented scale: Requiring the lavish construction of three entire city blocks of ultra-modern buildings, it was the most expensive French film up to that time, financially ruined its creator, baffled many viewers and critics when it was finally released after numerous delays, and is now regarded as Tati's undisputed masterpiece.

Mon oncle
  • Niedostępny

Mon oncle

46,16 zł Cena

Dostępność: na zamówienie A comic masterpiece from director-star Jacques Tati (Playtime, Traffic), this 1958 film--Tati's first in colour--reprises the carefree, oblivious title character from the director's hilarious international hit Mr. Hulot's Holiday. This time, the story finds Hulot, a self-involved twit on a constant collision with the physical world, grappling with 1950s-style progress. Visiting his sister and brother-in-law in their ultra-progressive household full of noisy gadgets and futuristic decor, Hulot inevitably has dust-ups with modernity, each one exceptionally funny.

The Architects
  • Niedostępny

The Architects

88,16 zł Cena
Dostępność: na zamówienie Daniel Brenner, an idealistic young architect in East Berlin, is deeply frustrated by life under the Communists. After receiving a plum assignment - designing a small city on the fringe of Berlin - he comes up with an innovative, fresh, almost cheerful plan. But his optimistic design comes at a price, both personal and professional. Filmed as East Germany crumbled, this somber, finely drawn portrait of life in East Berlin is one of the first fiction films to deal both with both East Germany and the reunification periods.
Die Architekten (The architect)
  • Niedostępny

Die Architekten (The...

16,76 zł Cena

Dostępność: na zamówienie Some of the most telling moments of this film, a somber, finely-drawn portrait of life in East Berlin in the final days of the Communist regime, are long panning shots of the city's ugly, factory-like public housing. Shot from moving cars, these views of block after block of anonymous rectangular buildings evoke a joyless environment in which the imagination is systematically stifled and where people live in a state of chronic, low-grade depression. The film depicts this society's grinding down of Daniel Brenner (Kurt Naumann), an idealistic architect in his late thirties.