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Die Architekten (The...
Dostępność: na zamówienie Some of the most telling moments of this film, a somber, finely-drawn portrait of life in East Berlin in the final days of the Communist regime, are long panning shots of the city's ugly, factory-like public housing. Shot from moving cars, these views of block after block of anonymous rectangular buildings evoke a joyless environment in which the imagination is systematically stifled and where people live in a state of chronic, low-grade depression. The film depicts this society's grinding down of Daniel Brenner (Kurt Naumann), an idealistic architect in his late thirties.
Words and Buildings. A...
Academic discourse are the words that immediately come to mind when reading this work. Forty (history of architecture, Bartlett Sch. of Architecture, UK) is keenly interested in the relationship between architecture and language as complex social practices.