Brak wydarzeń
Dostępność: na zamówienie Some of the most telling moments of this film, a somber, finely-drawn portrait of life in East Berlin in the final days of the Communist regime, are long panning shots of the city's ugly, factory-like public housing. Shot from moving cars, these views of block after block of anonymous rectangular buildings evoke a joyless environment in which the imagination is systematically stifled and where people live in a state of chronic, low-grade depression. The film depicts this society's grinding down of Daniel Brenner (Kurt Naumann), an idealistic architect in his late thirties.
