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  • Wydawnictwo: Frame
  • Wydawnictwo: Yale University Press
Out of the Ordinary Robert Venturi Denise Scott Brown and Associates
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Out of the Ordinary Robert...

89,25 zł Cena

Dostępność: na zamówienie This is the catalog for an exhibition originating at the Philadelphia Museum of Art and traveling to the Museum of Contemporary Art in La Jolla, CA, and the Heinz Architectural Center in Pittsburgh. Brownlee (art history, Univ. of Pennsylvania), David De Long (architecture, Univ. of Pennsylvania), and Kathryn B. Hiesinger (curator of European decorative arts, Philadelphia Museum of Arts) discuss the the accomplishments of Venturi, Scott Brown, & Associates (originally Venturi, Rauch, and Scott Brown), as well as relevant decorative arts, along with drawings and color plates.

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Bright Architectural, Illumination and Light Installations
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Bright Architectural,...

261,45 zł Cena

Dostępność: na zamówienie The use of light and illumination in architecture and design is currently evolving and making an increasingly significant impact on various creative disciplines. Today, architects use light installations to create a different nighttime identity for their buildings that allow for additional functions and presentations. Light is also important for interior designers, who use it to give the impression of a room where there isn t one or make a space seem bigger or smaller. Others use light to conjure works of art, forms and images out of nothing or to give entire city centres a whole new look.

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The New Paradigm in Architecture: The Language of Postmodernism
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The New Paradigm in...

120,75 zł Cena

he book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design--more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.

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