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  • 89,00 zł - 247,00 zł

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  • Wydawnictwo: FLAMMARION
  • Wydawnictwo: Yale University Press
INTERIOR SPLENDOUR BY PIERRE-YVES ROCHON
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INTERIOR SPLENDOUR BY...

246,75 zł Cena

The secrets behind the work of chameleon designer Pierre Yves Rochon, who has devoted thirty years to the quest for "absolute comfort." Is there a signature Rochon style? At first, it is difficult to tell because the designer always adapts his work to the environment in which it unfolds, bringing out the location’s unique spirit. A great traveler, he blends international styles, borrowing from both modern and classical influences. Hailed as a "visionary designer" and "master of grand luxe" by the Financial Times’

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CENTURY OF MODERN DESIGN
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CENTURY OF MODERN DESIGN

194,25 zł Cena

One of the world’s most important collections of twentieth-century design—the Stewart Collection in Montreal—celebrates its thirtieth anniversary in 2010. The Stewart Collection incorporates iconic furniture, ceramics, textiles, posters, graphic art, jewelry, and everyday objects from the 1930s to today. This book presents items chronologically, highlighting contrasts and parallels between works including posters by Max Bill and an armchair by Frank Lloyd Wright.

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Out of the Ordinary Robert Venturi Denise Scott Brown and Associates
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Out of the Ordinary Robert...

89,25 zł Cena

Dostępność: na zamówienie This is the catalog for an exhibition originating at the Philadelphia Museum of Art and traveling to the Museum of Contemporary Art in La Jolla, CA, and the Heinz Architectural Center in Pittsburgh. Brownlee (art history, Univ. of Pennsylvania), David De Long (architecture, Univ. of Pennsylvania), and Kathryn B. Hiesinger (curator of European decorative arts, Philadelphia Museum of Arts) discuss the the accomplishments of Venturi, Scott Brown, & Associates (originally Venturi, Rauch, and Scott Brown), as well as relevant decorative arts, along with drawings and color plates.

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The New Paradigm in Architecture: The Language of Postmodernism
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The New Paradigm in...

120,75 zł Cena

he book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design--more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.

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