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  • Wydawnictwo: Evergreen
  • Wydawnictwo: Yale University Press
Out of the Ordinary Robert Venturi Denise Scott Brown and Associates
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Out of the Ordinary Robert...

89,25 zł Cena

Dostępność: na zamówienie This is the catalog for an exhibition originating at the Philadelphia Museum of Art and traveling to the Museum of Contemporary Art in La Jolla, CA, and the Heinz Architectural Center in Pittsburgh. Brownlee (art history, Univ. of Pennsylvania), David De Long (architecture, Univ. of Pennsylvania), and Kathryn B. Hiesinger (curator of European decorative arts, Philadelphia Museum of Arts) discuss the the accomplishments of Venturi, Scott Brown, & Associates (originally Venturi, Rauch, and Scott Brown), as well as relevant decorative arts, along with drawings and color plates.

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Architecture Materials Wood - Bois - Holz
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Architecture Materials Wood...

71,40 zł Cena

Dostępność: na zamówienie "Wood is universally beautiful to man. Man loves his association with it; likes to feel it under his hand, sympathetic to his touch and to his eye." Frank Lloyd Wright's appreciation of mankind's oldest building material is still shared by most architects, interior designers, owner-occupiers and tenants.

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ARCHITECTURE MATERIALS GLASS
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ARCHITECTURE MATERIALS GLASS

71,40 zł Cena

Glass has a history going back more than 4,000 years. The Romans were the first to glaze their windows to keep out wind and weather. But it was only the steady development of rolling and casting techniques in the 18th and above all the 19th century which allowed the production of ever larger, more transparent and thinner panes of glass. The use of glass as a building material was encouraged in particular by garden design, as the protection of exotic plants required the construction of greenhouses and orangeries.

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The New Paradigm in Architecture: The Language of Postmodernism
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The New Paradigm in...

120,75 zł Cena

he book begins by surveying the counter culture of the 1960s, when Jane Jacobs and Robert Venturi called for a more complex urbanism and architecture. It concludes by showing how such demands began to be realized by the 1990s in a new architecture that is aided by computer design--more convivial, sensuous, and articulate than the Modern architecture it challenges. Promoted by such architects as Frank Gehry, Daniel Libeskind, and Peter Eisenman, it has also been adopted by many schools and offices around the world. Charles Jencks traces the history of computer design which is, at its heart, built on the desire for an architecture that communicates with its users, one based on the heterogeneity of cities and global culture.

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