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  • Wydawnictwo: APERTURE
  • Wydawnictwo: Index Book
Sticker Stack
  • Niedostępny
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Sticker Stack

153,30 zł Cena
Dostępność: na zamówienie In recent years, a new wave of graffiti has brought about new ways of laying a message to walls. Aside from more commonplace stencils, stickers have started popping up all over urban areas, surprising us in many unusual places. Sticker Stack is a collection of stickers that have somehow caught our attention, be it for their design, their illustration or their message. It also comes with real stickers from some of the most interesting projects, all packed in a convenient plastic case.
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For a Good Cause
  • Niedostępny
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For a Good Cause

121,80 zł Cena
Dostępność: na zamówienie Many large NGOs invest money in design for ad campaigns but there are people who do not understand how they can spend money on something like advertising. However, does anyone really think that letting the world know that people are still dying of hunger or thirst is not worth the investment? This book is a collection of the best socially conscious design. The original idea was to limit the book to pro bono projects, but later we decided to expand the concept to any design done with a good cause in mind. The projects featured were created to show that it is indeed possible to make a better, more beautiful world.
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Legacy: The Preservation of Wilderness in New York City Parks
  • Niedostępny
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Legacy: The Preservation of...

241,50 zł Cena

Dostępność; na zamówienie This historic publication defines an important moment, as master photographer Joel Meyerowitz is the first photographer to document New York City's parks since the 1930s, when they were photographed as part of Franklin D. Roosevelt’s WPA program. In this stunningly beautiful collection of images, Meyerowitz invites the viewer to discover the hidden pockets of wilderness that still exist within the urban environs of New York City.

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CANDIDA HOFER ARCHITECTURE OF ABSENCE
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CANDIDA HOFER ARCHITECTURE...

103,95 zł Cena
Dostępność:na zamowienie Over the last thirty years, Candida Hofer has created meticulously composed images of the interiors of public and institutional spaces - spaces marked with the richness of human activity, yet largely devoid of human presence. Wether it be a photograph of a national library, or a lounge room at Volkswagen's corporate headquarters, Hofer's images ask us to conduct a distanced examination through the widow she has created. Seen as a collection, Hofer's rhythmically patterned images present a universe of interiors wholly constructed by human intention, unearthing patterns of order, logic, and disruption imposed on these spaces by their now absent creators and inhabitants.
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